Landscape architecture is well behind the curve of using video to distinguish itself in the digital age, a trend I don’t see changing anytime soon. However, the opportunity is there for the taking. And if you don’t watch out, other design professions will seize the moment before landscape architects do. We’ve already had Architecture School, a Sundance TV miniseries, but that was six years ago and not much has been offered up since. But mark my words, it’s coming, and this is precisely where my own passions have intersected in recent years.

As a landscape architecture graduate student at the University of California at Berkeley, I opted to make a documentary film for my capstone thesis instead of creating a landscape design. I was interested in hearing what people on the street had to say about an urban design project going on right under their feet. I completed the 25-minute long documentary This Is Market Street about San Francisco’s Better Market Street Project, a multi-million dollar streetscape project that will eventually replace 2.2 miles of San Francisco’s most prominent thoroughfare.

An issue that stuck with me was the danger posed by car traffic to pedestrians in a walkable city like San Francisco. The pedestrian advocacy group Walk San Francisco, which helped me promote the documentary, has been at the forefront of advocating for a safer, more walkable San Francisco since 1998. Last year, they commissioned me to create a public service announcement about Safe Streets for Seniors, and I jumped at the chance to use film to talk about cities once again.

My team and I created a 3-minute long short film, There’s Always a Way, using stop-motion animation to tell the story of a young boy whose grandmother is killed at a busy crosswalk. We built models reminiscent of design school projects, studied traffic design solutions, constructed tiny crosswalks, and even fabricated some angry drivers for good measure. The process was analog, with us cramped in a tiny studio for weeks of animating and inching model cars along painted roads, frame by frame. The response has been exciting and supportive. To my satisfaction, the video has encouraged a discussion about our lives and environments.

Stories are the tool missing from the landscape architecture, a field which intertwines with people’s daily lives. Stories can get lost in the policies, the plant lists, and the concept drawings. We should pause to hear stories more often, and, if so inspired, make some of our own.